Les musiques actuelles soci t politique histoire

Les Musiques Actuelles Soci T Politique Histoire-Free PDF

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concepts d identit d id ologie de r sistance culturelle de genre ainsi que leur liens avec les. formes de d oppression de pouvoir de violence de racisme ou encore de contestation Ces. r flexions pourront amener repenser les relations plus vastes de l acte musical avec les. v nements et processus sociaux et historiques Comme pour les pr c dentes ditions la. multiplicit disciplinaire laquelle se consacre cette journ e d tude appelle la participation. de doctorantes doctorants jeunes docteures et jeunes docteurs issus de la musicologie tout. comme d autres domaines des sciences humaines et sociales. Durant la journ e les communications d une dur e de 20 minutes suivies de 10 minutes. de questions pourront tre assur es en fran ais ou en anglais Les propositions de. communications en fran ais ou an anglais devront contenir les l ments suivants. le titre de la communication, le nom et le pr nom de l intervenant dans le cas d une proposition avec plusieurs. auteurs il sera n cessaire de sp cifier le nom de l auteur qui assurera la. correspondance avec les organisateurs, le statut et l organisme d affiliation universit et ou laboratoire. un r sum de la communication de 400 mots maximum qui devra pr ciser l apport de. la communication au th me de la journ e le contexte de la recherche et la. m thodologie employ e,une courte bibliographie de 5 r f rences maximum. Les propositions seront envoy es, nicolo palazzetti labexgream com et juan barrera labexgream com. Calendrier, Date limite de r ception des propositions Lundi 23 septembre 2019.
Notification aux auteurs Lundi 11 novembre 2019, 8e Journ e des Jeunes Chercheurs du GREAM Vendredi 7 f vrier 2020. Comit d organisation, Juan David Barrera Madeleine Le Bouteiller Nicol Palazzetti et Julie Walker. Comit scientifique, Alessandro Arbo Juan David Barrera Jacopo Costa Nathalie H rold Madeleine Le. Bouteiller Pierre Michel Nicol Palazzetti et Julie Walker. Intervenante principale, Elsa Grassy Ma tre de conf rences en tudes Am ricaines Universit de Strasbourg. Page Internet de l v nement, https gream unistra fr evenements journees detudes 2020 8eme journee des jeunes.
chercheurs du gream,Bibliographie indicative, BLANKENSHIP Courtney STAN Renard 2017 Pop songs on political platforms Journal. of Popular Music Studies 29 https doi org 10 1111 jpms 12222. BYUN Chong Hyun Christie 2016 The Economics of the Popular Music Industry New. York Palgrave Macmillan, GONIN Philippe dir Focus sur le rock perspectives analytiques et historiques Sampzon. GRASSY Elsa SKLOWER Jedediah dir 2016 Politiques des musiques populaires au XXI. si cle Guichen M lanie Seteun, JOHANSSON Ola BELL Thomas L dir 2009 Sounds Society and the Geography of. Popular Music Farnham Ashgate, JOHNSON Bruce CLOONAN Martin 2009 Dark Side of the Tune Popular Music and. Violence Farnham Ashgate, KOTARBA Joseph A dir 2018 Understanding Society Through Popular Music 3e d.
London Routledge, LE GUERN Philippe FRITH Simon dir 2007 Sociologie des musiques populaires. R seaux no 141 142, MARTINELLI Dario 2017 Give Peace a Chant Popular Music Politics and Social Protest. Cham Springer International, MOORE Allan F 2001 Rock The Primary Text Developing a Musicology of Rock. Burlington Ashgate, PEDELTY Marl KEEFE Linda 2010 Political Pop Political Fans A Content Analysis of. Music Fans Blog Music and Politics 4 1 dx doi org 10 3998 mp 9460447 0004 103. PIRENNE Christophe 2011 Une histoire musicale du rock Fayard Paris. SCOTT Derek B 2008 Sounds of the Metropolis The Nineteenth Century Popular Music. Revolution in London New York Paris and Vienna Oxford Oxford University Press. SHUKER Roy 2016 Understanding Popular Music Culture 5e d London Routledge. TRAGAKI Dafni dir 2013 Empire of Song Europe and Nation in the Eurovision Song. Contest Lanham The Scarecrow Press, LabEx GREAM Groupe de Recherches Exp rimentales sur l Acte Musical.
MISHA 5 all e du G n ral Rouvillois 67083 Strasbourg Cedex. Universit de Strasbourg,https gream unistra fr,8th GREAM Young Researchers Conference. Popular Music,Society Politics and History,LabEx GREAM University of Strasbourg. Friday 7 February 2019 MISHA Lecture Hall,Call for papers. After having studied multidisciplinary and interartistic contributions to music and. musicology in its two previous editions the 8th GREAM Young Researchers Conference will. explore the social and intersubjective dimension of the musical act In order to fulfil this aim. it will focus on popular music and its cultural social political and historical contexts. From a historical point of view scholarly research has often highlighted the significant and. sometimes crucial links existing between popular music and the social and political reality. The ambiguous terminology that has characterised at least in France the study of these. repertoires seems to confirm their moorings in specific economic sociopolitical and cultural. environments The notion of musiques actuelles is widely accepted and institutionalised in. France but it might nonetheless conceal the long history of popular music which dates back. to the nineteenth century Scott 2008 Other expressions have emphasised the historical. continuity of some of these repertoires with youth and student protests musiques des. jeunes or highlighted their association with cultural industries and mass media that allow. them to reach a large audience see the French term musiques populaires which does not. constitute an exact translation of the English term popular music Kotarba 2018 12 or. underscored their connection with recording and amplification technologies musiques. amplifi es Le Guern Frith 2007, The conference is open to the different approaches and methodologies existing in popular. music studies without any geographical or chronological limitation Proposals that through. particular case studies or wider epistemological reflections seek to explore the complex. relations between popular music and the concepts of cultural resistance identity ideology. gender oppression power racism or violence will be especially welcome These reflections. may lead us to reconsider the connections between musical acts and sociohistorical events. The plurality of disciplines and approaches to which this one day conference is devoted calls. for the participation of doctoral and early career researchers working in musicology as well as. in other fields of the humanities and social sciences. During the conference the papers can be given in French or English and should last around. 20 minutes followed by a 10 minute session for questions Proposals can be submitted in. French or English and should include the following elements. Title of the paper, First name and surname of the speaker In case of multiple authors please indicate the.
author who will communicate with the organisers, Status and affiliation university and or research centre if applicable. Abstract max 400 words mentioning the contribution of the paper to the conference. theme as well as the context of the research and the methodology employed. A short bibliography max 5 publications,Proposals should be sent to. nicolo palazzetti labexgream com and juan barrera labexgream com. Proposal deadline Monday 23 September 2019,Notification to authors Monday 11 November 2019. 8th GREAM Young Researchers Conference Friday 8 February 2020. Organising committee, Juan David Barrera Madeleine Le Bouteiller Nicol Palazzetti and Julie Walker. Scientific committee, Alessandro Arbo Juan David Barrera Jacopo Costa Nathalie H rold Madeleine Le.
Bouteiller Pierre Michel Nicol Palazzetti and Julie Walker. Keynote speaker, Elsa Grassy Lecturer in American Studies University of Strasbourg. Page Internet de l v nement, https gream unistra fr evenements journees detudes 2020 8eme journee des jeunes. chercheurs du gream,Essential bibliography, BLANKENSHIP Courtney STAN Renard 2017 Pop songs on political platforms Journal. of Popular Music Studies 29 https doi org 10 1111 jpms 12222. BYUN Chong Hyun Christie 2016 The Economics of the Popular Music Industry New. York Palgrave Macmillan, GONIN Philippe dir Focus sur le rock perspectives analytiques et historiques Sampzon. GRASSY Elsa SKLOWER Jedediah dir 2016 Politiques des musiques populaires au XXI. si cle Guichen M lanie Seteun, JOHANSSON Ola BELL Thomas L dir 2009 Sounds Society and the Geography of.
Popular Music Farnham Ashgate, JOHNSON Bruce CLOONAN Martin 2009 Dark Side of the Tune Popular Music and. Violence Farnham Ashgate, KOTARBA Joseph A dir 2018 Understanding Society Through Popular Music 3e d. London Routledge, LE GUERN Philippe FRITH Simon dir 2007 Sociologie des musiques populaires. R seaux no 141 142, MARTINELLI Dario 2017 Give Peace a Chant Popular Music Politics and Social Protest. Cham Springer International, MOORE Allan F 2001 Rock The Primary Text Developing a Musicology of Rock.
Burlington Ashgate, PEDELTY Marl KEEFE Linda 2010 Political Pop Political Fans A Content Analysis of. Music Fans Blog Music and Politics 4 1 dx doi org 10 3998 mp 9460447 0004 103. PIRENNE Christophe 2011 Une histoire musicale du rock Fayard Paris. SCOTT Derek B 2008 Sounds of the Metropolis The Nineteenth Century Popular Music. Revolution in London New York Paris and Vienna Oxford Oxford University Press. SHUKER Roy 2016 Understanding Popular Music Culture 5e d London Routledge. TRAGAKI Dafni dir 2013 Empire of Song Europe and Nation in the Eurovision Song. Contest Lanham The Scarecrow Press, LabEx GREAM Groupe de Recherches Exp rimentales sur l Acte Musical. MISHA 5 all e du G n ral Rouvillois 67083 Strasbourg Cedex. Jazz rock chanson musiques du monde rap musiques lectroniques etc concepts d identit d id ologie de r sistance culturelle de genre ainsi que leur liens avec les formes de d oppression de pouvoir de violence de racisme ou encore de contestation Ces r flexions pourront amener repenser les relations plus vastes de l acte musical avec les v nements et processus

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