Ircam Centre Pompidou

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R sonances 2006,MARDi 13 JUiN 2006 TUESDAY JUNE 13 2006. 9H30 10H15 9 30AM 10 15AM, Hugues Vinet St phane Donikian Hugues Vinet St phane Donikian. Introduction,mp Introduction,10H15 11H 10 15AM 11AM. Michel Imberty Michel Imberty, Les origines de la musicalit humaine structures de The Origins of Human Musicality Structures of Time and. temps et structures d interaction Structures of Interaction. 11H 11H30 PAUSE 11AM 11 30AM BREAK,11H30 12H15 11 30AM 12 15PM.
Brian Ferneyhough Brian Ferneyhough, De Temporum Fine Com dia Notation et intention De Temporum Fine Com dia Notation and. compositionnelle Compositional Intent,12H15 13H 12 15PM 1PM. G rard Assayag G rard Assayag, Logique du temps en informatique musicale The Logic of Time in Computer Music. 13H 14H30 D JEUNER 1PM 2 30PM LUNCH,14H30 15H15 2 30PM 3 15PM. Craig Lindley Craig Lindley, Formes sch matiques hi rarchiques pour des Hierarchical Schema Forms for Virtual Dramatic Performances.
performances dramatiques virtuelles,15H15 16H 3 15PM 4PM. Hanspeter Kyburz Hanspeter Kyburz, Entre connaissance et interaction Double Points Between Knowledge and Interaction Double Points. 16H 16H45 4PM 4 45PM,Ulrike Spierling Ulrike Spierling. Ecrire un dialogue devant tre fa onn ult rieurement Writing a Conversation to be Shaped in the Future. 16H45 17H15 PAUSE 4 45PM 5 15PM BREAK,17H15 18H30 5 15PM 6 30PM. D bat anim par Fran ois Nicolas Debate moderated by Fran ois Nicolas. R sonances 2006,MERCREDi 14 JUiN 2006 WEDNESDAY JUNE 14 2006.
9H30 10H15 9 30AM 10 15AM, Andrew Gerzso et Fr d ric Bevilacqua Andrew Gerzso and Fr d ric Bevilacqua. Paradigmes d interactivit musicale l Ircam, mp Interactivity Paradigms in Music Performance at IRCAM. 10H15 11H 10 15AM 11AM,Philippe Manoury Philippe Manoury. Le temps lisse Smooth Time,11H 11H30 PAUSE 11AM 11 30AM BREAK. 11H30 12H15 11 30AM 12 15PM, Nicole et Norbert Corsino Nicole et Norbert Corsino.
Sc nario de l instant Scenario of a Moment,12H15 13H 12 15PM 1PM. Antonio Camurri Antonio Camurri, Le projet Meta EyesWeb une plate forme pour le A Platform for High Level and Real Time Processing of. traitement haut niveau et temps r el d environnements Interactive Environments The Meta EyesWeb project. interactifs,13H 14H30 D JEUNER 1PM 2 30PM LUNCH,14H30 15H15 2 30PM 3 15PM. Jean No l Portugal Jean No l Portugal,Ecrire en puissance A Potential Writing. 15H15 16H 3 15PM 4PM,Jean Fran ois Peyret Jean Fran ois Peyret.
Trouver le temps Finding Time,16H 16H45 4PM 4 45PM. Jeffrey Shaw Jeffrey Shaw, Extension num rique de l imaginaire cin matographique The Digital Expansion of the Cinema Imaginary. 16H45 17H15 PAUSE 4 45PM 5 15PM BREAK,17H15 18H30 5 15PM 6 30PM. D bat anim par Annie Luciani Debate moderated by Annie Luciani. 18H30 COCKTAiL 6 30 COCKTAiL,R sonances 2006,ARGUMENT ABSTRACT. Dans le contexte des rencontres R sonances 2006 As a part of the RESONANCES 2006 Convention dedicated to. consacr es aux th mes du geste et de l interaction the topics of gesture and interaction this symposium aims. l objet de ce colloque international est de questionner at questioning the renewal of the technical concepts of time. le renouvellement des concepts techniques du temps et and interaction in different artistic and audiovisual. de l interaction l uvre dans diff rentes formes production areas. artistiques et audiovisuelles En musique m me si In music temporal structures can be conceived of with almost. l laboration de structures temporelles ne conna t no limit to their complexity However they generally rely on. pratiquement pas de limite de complexit celles ci a few basic representations combining metrics multiples. s appuient g n ralement sur un petit nombre de and subdivisions of a pulse cycle linear time sequencers. repr sentations de base combinant m trique and immediate interaction in the spirit of the instrument. organisation des v nements selon des multiples et metaphor real time software environments such as Max. sous multiples d un cycle de pulsation temps lin aire Various convergent approaches currently tend to overcome. s quenceurs et interaction imm diate selon la these limits through performer computer interfaces based on. m taphore de l instrument environnements logiciels longer term musical processes or through the definition of. de type Max Plusieurs approches convergentes visent temporal relationship networks between events that are not. aujourd hui d passer ces limites en concevant des necessarily referenced to an absolute or pulsed time basis. modes d interaction interpr te ordinateur selon This concern is also present when conceiving live. l articulation de processus musicaux plus long terme performances which bring together several artistic forms of. ou selon des r seaux de relations plus riches entre expression e g music composition and choreography it is. v nements non n cessairement en r f rence un then necessary to define processes which respect the. temps absolu ou puls Cette pr occupation est temporality of each artistic form in a meaningful and. galement transversale la r alisation d uvres technically viable way. associant diff rentes disciplines artistiques du In the area of interactive systems for virtual reality games. spectacle composition musicale et cr ation or installations interaction concepts rely on various sensory. chor graphique notamment il convient alors de modalities image sound gesture that can be managed. d finir des processus qui respectent les temporalit s separately or together multimodal fusion and on the notion. propres chaque forme d expression en les articulant of languages that enable the user to interpret and to perform. d une mani re la fois signifiante et viable technique these interactions. ment Dans la conception de syst mes interactifs pour Multi discipline artistic projects bringing together the live. la r alit virtuelle le jeu et les installations les concepts performance and digital universes combine the. d interaction se fondent sur la gestion de diverses characteristics of the two former situations and introduce. modalit s sensorielles geste image son prises en with respect to virtual reality an additional dimension. compte individuellement ou conjointement fusion concerning the interactions between the real performance. multimodale et sur la notion de langage permettant space and virtual worlds Their formalization remains. d interpr ter ou de restituer ces interactions Les uvres limited due to the lack of support languages that are rich. poly artistiques associant spectacle vivant et univers enough open and adapted to artistic forms. num rique combinent les caract ristiques des deux From the viewpoint of the formalization of time and. situations pr c dentes et introduisent par rapport la interaction processes these various artistic situations share. r alit virtuelle une dimension suppl mentaire dans common issues coordination of different sensory. les interactions qu elles cr ent entre l espace r el du modalities combination of an interaction permitting a space. spectacle et les mondes virtuels dont la formalisation for instantaneous variation along with longer term time. reste aujourd hui limit e par le manque de langages processes narrative structure large temporal form The. supports qui soient la fois riches adapt s aux organization of the symposium aims at producing a. diff rentes disciplines artistiques et ouverts Ces cross disciplinary confrontation between these various. situations artistiques diverses rencontrent du point de approaches in order to enable the emergence of common. vue de la formalisation des processus temporels et directions of formalization. d interaction des pr occupations communes coordi, nation de diff rentes modalit s sensorielles gestion.
conjointe d une interaction laissant place un espace. de variabilit dans l instant avec la poursuite d un. d roulement temporel plus large chelle trame, narrative grande forme temporelle L organisation du. colloque visera susciter une confrontation, interdisciplinaire entre ces diff rentes approches en. vue de favoriser l mergence de directions communes. de formalisation 4,R sonances 2006,MARDi 13 JUiN TUESDAY JUNE 13. 9H30 10H15 9 30AM 10 15AM,INTRODUCTION INTRODUCTION. Hugues Vinet est depuis 1994 directeur scientifique de Hugues Vinet has been since 1994 as IRCAM s Scientic. l Ircam dont il dirige le d partement Recherche et Director in charge of IRCAM s R D Department and IRCAM. d veloppement et l Unit mixte de recherche Sciences et CNRS STMS Science and Technology of Music and Sound. technologies de la musique et du son STMS associant joint lab He is Coordinator of the CUIDADO Content based. l Ircam le CNRS et le minist re de la Culture et de la Unified Interfaces and Descriptors for Audio music Databases. Communication Il assure la coordination des projets available Online et SemanticHIFI Browsing listening. europ ens IST CUIDADO Content based Unified Interfaces interacting performing sharing on future HIFI systems. and Descriptors for Audio music Databases available Online http shf ircam fr European IST projects His fields of acti. et SemanticHIFI Browsing listening interacting vity have successively included real time systems digital. performing sharing on future HIFI systems audio signal processing man machine interfaces cognitive. http shf ircam fr Ses domaines d intervention ont technologies applied to musical information and more gene. successivement port sur les syst mes temps r el le rally speaking theoritical syntheses on the relationships bet. traitement du signal audionum rique les interfaces homme ween scientific research technological development and. machine les technologies cognitives appliqu es aux musical production After a scientific and musical educa. informations musicales et plus g n ralement tion he previously worked at the Musical Research Group of. diff rentes synth ses sur les relations entre recherche the National Institute of Audiovisual Ina GRM as Senior. scientifique d veloppement technologique et cr ation Engineer He designed and developed a direct to disk and. musicale De formation scientifique et musicale il a mixing application on the SYTER real time audio worksta. pr c demment travaill au Groupe de recherches tion and headed from 1987 to 1994 the GRM R D activi. musicales de l Institut national de l audiovisuel Ina GRM ties which produced in particular the GRM Tools. en qualit d ing nieur en chef Il a anim de 1987 1994 http www grmtools org Acousmographe and MIDI Former. les activit s de recherche et de d veloppement ayant software applications He participates in many scientific. notamment abouti au d veloppement de la station advisory boards since 2006 he is the Regional Director Europe. audionum rique temps r el SYTER et la r alisation des of the International Computer Music Association ICMA. logiciels GRM Tools http www grmtools org,Acousmographe et MIDI Formers Il est membre de.
nombreuses instances scientifiques et depuis 2006, directeur r gional Europe de l International Computer. Music Association ICMA, St phane Donikian a effectu des tudes universitaires St phane Donikian is born in Paris in 1966 He got a. en informatique a soutenu sa th se l universit de Graduate Degree in 1989 a PhD in 1992 and an Habilitation. Rennes 1 en 1992 et a obtenu son habilitation diriger to direct research in 2004 all from the Computer Science. les recherches en ao t 2004 Depuis 1994 il est charg Department of the University of Rennes 1 He is currently. de recherche au CNRS au sein de l Institut de Recherche Research Scientist for CNRS and member of the SIAMES. en Informatique et Syst mes Al atoires IRISA UMR 6074 project at IRISA His research interests include Virtual. situ Rennes et plus exactement de l quipe SIAMES Reality Virtual Humans Reactive and Cognitive Behavioural. Synth se d Images Animation Mod lisation Et Animation Informed Virtual Environments Scenario. Simulation Ses axes de recherche sont la mod lisation Authoring Tools for VR applications Interactive Drama VR. du comportement humain l animation comportemen Middleware He is author of several scientific internatio. tale r active et cognitive les environnements virtuels nal publications moreover he has also served in the scien. inform s la sc narisation d environnements virtuels tific committees of several international conferences and. narratifs et interactifs Il est membre du comit de serves also as referee for several international conferences. programme de nombreuses conf rences internationales and journals He is member of the board of the French. sur les th mes de l animation et des agents Association of Computer Graphics AFIG and leader of the. autonomes Il a particip activement de nombreux French Working Group on animation and simulation He. projets de valorisation et de transfert industriel Il est performs technical expertise for national and European. tr sorier de l Association Fran aise d Informatique agencies on academic and industrial innovative projects. Graphique AFIG co animateur du groupe de travail in the fields of virtual reality computer graphics and video. national sur l animation et la simulation et effectue des game He has conducted or participated in several. expertises pour l ANVAR et le RIAM dans les domaines de national and European research projects with industrial. l image num rique et du jeu vid o Il a co anim l Action and academic partners. R sonances 2006,Sp cifique Humain Virtuel vers un humain. The Logic of Time in Computer Music 1PM 2 30PM LUNCH 2 30PM 3 15PM Craig Lindley Hierarchical Schema Forms for Virtual Dramatic Performances 3 15PM 4PM Hanspeter Kyburz Between Knowledge and Interaction Double Points 4PM 4 45PM Ulrike Spierling Writing a Conversation to be Shaped in the Future 4 45PM 5 15PM BREAK 5 15PM 6 30PM Debate moderated by Fran ois Nicolas 2 Ircam Centre

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